Pornography Disclaimer

This is a an imaginary diary of facts, confessions, or messages. This is a notebook of working but broken ideas, lines, images, notes on books I'm reading, writers I admire, and brief fantasies of language. Here unfiltered  all mannerings pseudo-private, publicized, ur-. Here I am art and unrevealed: poetic, political and pop. These are my moonlit rough beginnings and should not be taken literally, directly, truthfully, reliably, and none of it is legally binding. These lies are all choreographed, but only haphazardly. Beware.



god I'm finding it more and more difficult to visit this spot. today

worked on my rain, my empty pockets, and broken loves

. . . . . .

a poem I wish I wrote, by Paul Guest, from his first book:

The Report From Home

Here is the topography of false starts. Here
a whole constellation is lousy with desire.
Here what passes for love is the same
as anywhere. Here no one has said
a prayer for the stars, and here no one
comes, except to leave, except to stay
long enough to bruise. Here the apples
do not fall and the theorems go unproven.
Leaves take root in the air, here,
and here the wind has stopped, waiting
for a word none of us know. Here
there are no dancers to love and dream of.
Here time is bearable in music. Here
it's our own hearts buried and beating
beneath the floor, and here the pages turn
in no order to no end to no avail.
Here the weeds in wreathes hang on doors.
Here the knife's edge has dulled
though no one can say how, daring it on skin
to remember itself. Here the rust
grows like moss. Here the truth is tired.
Here the castle of sand lasts longer
than the ocean is deep, and wide and blue.

. . . . . .

At some point an essay on apples, those stolen ones, like kisses in the garden.

. . . . . .

I think we are all brief light and seizure

there's probably a poem there, where the music hurts

. . . . . .

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I've got one foot in the grave and the other's in my mouth.

Poetry Disclaimer

My work has been awarded the Katherine C. Turner Prize from the Academy of American Poets, a Swarthout Award, and has twice been nominated and shortlisted for the Pushcart Prize. My first book, A Book Called Rats, was selected for the Blue Lynx Prize for Poetry (Eastern Washington University Press 2007). I'm curating editor for the online journal of poetry: PISTOLA and my poems and reviews most recently appear in Massachusetts Review, Beloit, Ploughshares and RAIN TAXI. I currently teach writing and literature at Santa Monica College in southern California.